2015
+ The Past is Continuing – Drinking in Ranges, Feasting on Peaks
+ The Past is Continuing – The Eternal Phoenix
+ Double Vision – Midnight Mountaineering
2014
+ Remaster vs Appropriating the Classics
+ All About Poetry – Southern District Literature Day
2013
+ Taehwa River Eco Art Festival 2013
2012
+ "Black Market" Flash Art Exhibition
+ Philosopher's (knock-off) Stone: Turning Gold into Plastic
+ Space@West Kowloon - Hong Kong Sculpture Biennial
+ Wearable Exhibition - Bring Art Everywhere
2011
+ LANDSCAPES - Gyeonggi Creation Center, South Korea
+ Bittersweet - A Mixed Media Solo Exhibition
+ Primitive Contemporary III series -
Primitive Craftsmanship ‧ Contemporary Sculpture
2010
+ "Green X’mas@CDAV" Community Art Program
+ Touching Art: Louvre's Sculptures in Movement
+ Eastern District Arts Festival - Eastern Art Bus
+ Wongok-dong Recipe, Litmus, South Korea
+ Food Art Festival "Savor Art !" Exhibition
+ See-Through - From Hollywood to Shanghai
Hok-Shing Grocery - A Century-old Shop
(Used Goods Collection and Exchange Project)
+ Urban Ark (Theatre Installation)
+ Silence
+ CUHK The Fourth Chung Chi Christian Festival
2009
+ Hiking Arte - Travelling in Imaginary Landscape
+ Reborn - The Silk Road Arts Exhibition
+ Dwelling
2008
+ Reversed Reality - Worksound, Portland, USA
+ Artists in the Neighbourhood Scheme IV
+ Artists in the Neighbourhood Scheme IV Launching Exhibition
2006
+ Order - Recordation of Personal Action
+ "Away" Group Exhibition of Hong Kong Contemporary
2004
《原始當代‧三》計劃系列 之《原始刻劃‧當代雕塑》立體藝術作品展覽
"Primitive Contemporary III" series—
"Primitive Craftsmanship ‧ Contemporary Sculpture"
宜居?
Livable?
(L) 110cm X (W) 85cm X (H) 80cm
木, 帆布, 紙, 金屬容器, 樹枝
Wood, Canvas, Papers, Metal container, Branches
2011
宜居?
有多種動物生活在園區內,雖然身處元朗的大自然中,但大多都生活在鐵籠裏,進出不能自主,所以我想創作一件作品,是一個給附近生物可自由進出的自主生活空間。
作品為一屋型小空間。利用卡板木、舊帆布、舊紅酒箱木、在園區內拾來的樹枝等為創作材料。小屋佈置舒適,屋外置有盛水裝置,屋內有稻草軟墊供小動物 (野豬, 兔子等 ) 入內休息 。屋外牆上有木製小山,山上有多個小洞,提供給螞蟻或小蟲築巢居住。屋頂上置有樹枝,枝上掛有一木製小鳥居,為小鳥製造溫暖的家。
不同的動物可自由遷進屋內居住,自由自在,不受束縛,既能享受自然,又能活得舒適,歡迎各種生物進駐(包含人類)。
Livable?
There are many animals living in Tai Tong Lychee Village of Yuen Long, yet most of them are kept in cages and lost their freedom of mobility, so I would like to create an artwork that can let the living creatures enter or leave the living space freely.
This artwork acts as housing space, which is made of wood, old canvas, paper, wood of red wine box and branch in the garden. I also make use of wood to create hills outside the house. There are some caves inside the hills, so the ants and other small insects can live here. Placing branches on top of the house is another idea to create a warm nest for the birds to live here.
This housing space is opened for all types of animals, including human beings. It aims at providing them not only a freely comfortable living space, but also an enjoyable natural experience.